painting

Through monotonous polygon freehand painting, my paintings in particular are very personal. For as long as I can remember, I was forming colored block mandala patterns and exploring myself through composition. Painting forms, studying color relationships, and even the possessive and repetitive motor skill of doing and watching every brush stroke itself, captivates every part of my creative being. Insistently calculated painting that takes a slow, free-hand technique, aiming to confuses layers and breaks its own rules, but constantly

paper

It has been so obvious to introduce craftsmanship acquired from my architectural practice to study form and composition. With the natural curiosity I have for color and shape relativity and , the means of creation and exploration are infinite.